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Cambridge Audio Stream Magic 6 DAC & Preamp — Balanced XLR
About as close to unused as a fourteen-year-old component gets — the protective film is still on the display, and the original carton, manual and remote are all here. The converter section is the DacMagic Plus's: twin Wolfson WM8740s in dual differential, fed by Anagram ATF2 upsampling that re-clocks and interpolates everything arriving at any input up to 24-bit/384 kHz, with three selectable reconstruction filters. Balanced XLR outputs and a digital preamplifier stage on top of that. Excellent condition.
Castle Knight 1 Bookshelf Speakers — Real Wood Cherry, Pair
From a Yorkshire company that spent forty years being known for its cabinets above all else. The cherry veneer is deep-figured real timber, book-matched across the two cabinets so the grain mirrors when they are set up together, then sealed and waxed by hand over more than five days. Underneath is an honest two-way bass-reflex with a 130 mm woven natural-fibre bass/mid driver and five-way binding posts. Very Good condition.
Polk Audio f/x 500i Bipole/Dipole Surrounds — Made in USA, Pair
A genuine mirror-imaged pair, labelled LC and RC, with two driver arrays set 45 degrees apart and a rear-panel switch that flips them between bipole and dipole — locatable effects on the wall behind you, a diffuse field on the side walls, same speakers either way. 19.4 lbs each, half again the weight of the FXi A6 that replaced them, and 2 dB more sensitive. Built in the United States, with keyhole mounts moulded into the cabinet. Very Good condition.
PSB VisionSound VS300 Aluminum On-Wall Speaker
An on-wall speaker engineered as one rather than adapted into one. It shares the tweeter, terminals and crossover of PSB's VS400 floorstander, but the port was moved to the front so the cabinet can sit flat to a wall without the wall changing what it does — and a rear switch selects NORMAL or ON-WALL, filling the 400 to 500 Hz dip that hard mounting creates. Extruded aluminium, built in Pickering, Ontario. Graded Excellent or Very Good; the only thing separating the two is a single Tic Tac-sized hole at the extreme edge of one grille frame.
Tannoy Mercury F3 Slim Floorstanding Speakers — Apple Finish
A two-way floorstander built on a deliberately simple recipe: one 6.5 inch bass and midrange driver covering everything below a 1 inch textile dome, crossed at 2.7 kHz by a fourth-order Linkwitz-Riley — no midrange handover in the region the ear is most sensitive to, and drivers that sum flat and stay in phase through the crossing. 89 dB into a nominal 8 ohms, happy on anything from 10 to 100 watts, and eight inches wide. The light Apple finish hardly ever comes up. Very Good condition.
NAD C 272 Stereo Power Amplifier 150 WPC, 300 Watts Bridged
Start with the number that is not on the front: 150 watts per channel into 8 ohms and 150 into 4. Most amplifiers quote a comfortable 8 ohm figure and hope you never connect anything harder; this one holds its full rating into half the impedance, from a high-current Holmgren toroidal feeding all-discrete circuitry with NAD's PowerDrive topology behind it. A BRIDGE MODE switch on the back turns it into a single mono channel of roughly 300 watts into 8 ohms, so the system can be rearranged later rather than replaced. Very Good condition.
Bowers & Wilkins WM2 Outdoor Speakers, Pearl White, w/ Brackets
On an outdoor speaker the condition is the whole story — these are almost never retired for how they sound, but for sun turning a white cabinet chalky and yellow, freeze-thaw working at the seams, and grilles blooming with rust. Pearl White shows all of it more plainly than black would, and this pair grades Very Good, factory wall brackets included. B&W did not design a weatherproof box and then find a driver to fit it either: a 130 mm woven fibreglass cone crossed at 3.5 kHz to a 25 mm dome, the same material philosophy as their indoor speakers.
JVC SX-PW33 Slim Tower Subwoofer — 6.5in, 100W, High-Pass Out
A tall, narrow bass column meant to stand beside a cabinet rather than in front of it — 8.25 inches across the front and unusually deep at 17, which is the trade: the depth buys back the internal volume the narrow baffle gives away, so a 6.5 inch woofer is properly loaded in a strip of floor barely wider than a hardcover book. Driven by an integrated 100 watt amplifier, with speaker-level inputs and high-pass outputs so it works with an amplifier that has no subwoofer output at all. Good condition.
Braun Atelier A1 Slim Integrated Amp — 55 WPC, Pre-Out, Japan
The component that makes the rest of an Atelier system work, and the one people hunting these usually look for first. 55 watts per channel into 8 ohms and 80 into 4, with a preamplifier section that separates from the power stage — engineering that is not an afterthought to the industrial design. 445 mm wide and 70 mm tall, the exact footprint of the T1 tuner and C1 deck, so the stack reads as one machined object. Made in Japan for Braun. Good condition.
Braun Atelier T1 Slim AM/FM Tuner — 9 Presets, Quartz, Japan
An analogue tuner given a quartz-referenced five-digit readout — the precision of a synthesised design with a real analogue front end behind it, which tends to hold a weak signal more gracefully. The nine presets are not memories: each station button carries its own tuning adjustment, set by hand with a small screwdriver through the panel, so it is effectively nine little tuners in one chassis. Made in Japan, 445 mm wide and 70 mm tall to match the Atelier deck. Good condition.
Braun Atelier C1 Slim Cassette Deck — Motorized Drawer, Japan
70 mm tall, almost exactly the height of a cassette case, and that is not a coincidence. The tape does not stand upright behind a door the way it does in every Japanese deck of the era — it lies flat and is drawn in horizontally on a motorised tray, the mechanism disappearing into a slot barely thicker than the cassette itself. The C1 arrived in 1980, two years before a CD player made that gesture familiar. Built for Braun in Japan, the matching deck to the Atelier A1 and T1. Good condition.
Yamaha RX-V561 5.1 AVR 500W — 2x HDMI, 3 Digital In, Remote
100 watts minimum RMS on every one of the five channels into 8 ohms, and dynamic power that climbs to 110, 130, 160 and 180 watts into 8, 6, 4 and 2 ohms — a receiver that keeps increasing output as the load gets harder has a supply with something in reserve. Where it earns its keep is bass management: a crossover selectable across nine points from 40 Hz to 200 Hz with a 12 dB per octave high-pass on front, centre and surround. Two HDMI inputs, three digital, remote included. Very good condition.
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