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Technics SL-220 Turntable – Made in Japan, Dust Cover, Gold RCAs
This deck comes in silver with its clear dust cover and a good Piezo cartridge, and its RCA cables have been upgraded to our own Radique Audio Gold Series, so the signal reaches your amplifier's phono input through a proper, well-shielded connection rather than the thin factory leads of the era. We know this deck: it was serviced on our bench, including a new belt, before it first left the shop, and it has come back to us through our Perpetual Trade-Back Program and been fully tested on our bench again before listing. Condition: Very Good, and free of significant marks. The clear dust cover is included.
Technics SU-G90 Integrated Amplifier – 130 WPC, Made in Japan
130 watts a channel into 8 ohms with both channels driven at 0.05% distortion, six analog inputs, an MM phono stage, and a separable pre-out/main-in loop for an active crossover or external amp. This 1991 design also carries a Dolby Pro Logic decoder with its own 15-watt rear amplifier section, so it can run a compact surround setup on its own. Made in Japan; good cosmetic condition.
Technics SL-220 Turntable – Made in Japan, Serviced, Open Deck
This deck has had over $120 in service and parts. The tonearm has been professionally repaired and reconnected, resolving tracking issues, and a replacement headshell has been fitted at no extra charge. The pitch control potentiometers (speed pots) have been deep-cleaned and deoxidized, curing the speed drift these models are known for, so the speed is now rock-steady. A fresh, correct-tension belt ensures accurate rotation and quick start-up, and a brand-new Audio-Technica AT3600L cartridge and stylus offer punchy, reliable sound right out of the gate. The platter rim has been sanded and polished to a mirror shine, removing years of oxidation. This is the open-deck version, an ideal candidate for a cabinet, a shelf system, or DJ-style open-air use; just add your own dust cover if desired, or enjoy the sleek, open-deck look. Condition: Good. The grey plinth is clean, and the freshly polished platter rim looks fantastic. Functionally it is perfect: speed is stable, tracking is excellent, and the auto-return works smoothly.
Technics SU-V76 Vintage Integrated Amplifier – 100 WPC, Japan
A 1987 New Class A integrated: pure Class A at low levels, sliding to Class A/B when the music asks for it, 100 watts a channel into 8 ohms at 0.05% distortion. It draws about 30 watts at idle, which is how you know the Class A bias is real rather than a label. MM phono and A/B speaker switching. Level 1 serviced; good cosmetic condition.
Technics SA-X730 Stereo Receiver – 100 WPC, Phono, Remote
A Japanese-built receiver with seven inputs — phono, CD, tuner, DVD, tape, VCR1 and TV/VCR2 — an RDS FM/AM tuner with 30 presets, and the remote in the box. Dolby Pro Logic and Dolby 3 Stereo are aboard, but it is the two-channel side that this one is worth having for. Frequency response 10 Hz to 70 kHz. Level 1 serviced here.
Technics SL-PD6 5-Disc CD Changer, MASH DAC, Optical Out
A 1999 five-disc carousel from the end of the Technics CD era, made in Japan — four discs swap out while the fifth keeps playing. MASH 1-bit conversion, 0.007% distortion, 100 dB signal-to-noise, fixed 2 V RCA output and a Toslink optical out. Headphone jack with its own level control up front. All five positions tested and CD-R playback confirmed; a compatible non-original remote is included. Good cosmetic condition.
Technics 7-Band Graphic Equalizer – Made in Japan SH-8027
Seven bands a channel — 63 Hz, 160, 400, 1 k, 2.5 k, 6.3 k and 16 kHz — on illuminated red sliders you can read in a dark rack. Two RCA pairs in and out, a built-in mains cord, and an unswitched 150-watt accessory outlet on the back. Made in Japan somewhere between 1980 and 1985. Level 1 serviced here.
