Technics SA-400 Vintage Stereo Receiver – 45 WPC, Made in Japan
$495.00
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Technics SA-400 Stereo Receiver 45WPC, Made in Japan
The Technics SA-400 is a late-1970s Japanese-made FM/AM stereo receiver rated at 45 watts per channel into 8 ohms, combining classic silver-face styling with clean, low-distortion power and an excellent tuner section.
Offered from around 1978–1979, the SA-400 sits in the sweet spot of Technics’ lineup, powerful enough to drive a wide range of vintage and modern speakers while remaining compact and easy to place. This unit has undergone our Level One service and testing which should ensure many more years of reliable performance ahead, and presents in very good cosmetic condition with only light wear consistent with careful use. The brushed aluminum faceplate, matching knobs, and classic dial with signal and center-tune meters give it a timeless look that pairs well with both period-correct and contemporary systems.
Technically, the SA-400 delivers 45 watts per channel (minimum RMS, both channels driven, 8 ohms, 20–20,000 Hz) with only 0.04% total harmonic distortion, thanks to a pure-complementary OCL power amp and robust power supply. The tuner section uses a MOS FET front end, 3-gang FM tuning capacitor, and multi-stage IF with flat group delay ceramic filters, giving strong sensitivity and selectivity for FM listening. Inputs include phono (MM), AUX/line, and two tape monitor loops, making it easy to integrate a turntable, streamer, CD player, and tape deck or external processor; the dual tape loops can also be used for adding a graphic equalizer or other outboard signal processors.
Sonically, the SA-400 is known for a clean, slightly warm presentation with good bass control and smooth highs, making it a strong match for classic bookshelf and floorstanding speakers from the same era. High and low filters, loudness contour, and well-voiced bass and treble controls allow useful tailoring of the sound without veering into harshness or muddiness. Speaker outputs support two pairs (A/B) with a 4–16 ohm load range, so it can comfortably run a single main pair or switch between two rooms of speakers.
FM/AM stereo receiver, late-1970s production (approx. 1978–1979)
Made in Japan
Power output: 45 watts per channel into 8 ohms (20–20,000 Hz, both channels, 0.04% THD)
Frequency response: 10 Hz–40 kHz
Total harmonic distortion: 0.04%
Damping factor: 32
Phono (MM) input sensitivity: 2.5 mV; line inputs approx. 150 mV
Signal-to-noise ratio: 78 dB (phono), 95 dB (line)
Speaker load impedance: 4–16 ohms; A/B speaker switching
Tuner: MOS FET FM front end, 3-gang tuning cap, multi-stage IF, zero-center and signal-strength meters
Bass, treble, loudness, high and low filters, dual tape monitor loops
Inputs: phono (MM), AUX, two tape loops
No digital inputs or outputs (analog-era design)
Very good cosmetic condition; Level One serviced and tested
Dimensions (Width x Height x Depth): 16.9 x 5.6 x 11.8 inches (430 x 142 x 300 mm)
Weight: 19 lbs (8.2 kg)
This Japanese-made Technics SA-400 offers a very attractive mix of classic styling, genuinely useful 45WPC output, and a strong analog tuner and phono stage, making it an excellent centerpiece for a vintage two-channel system. With its Level One service and testing, very good cosmetics, and versatile input complement, it is an appealing choice for listeners who want reliable late-1970s Technics performance without stepping all the way up into big-flagship pricing.
Backed by Radique Audio’s 90-day Bumper to Bumper Warranty and our Perpetual Trade-Back Policy, you can purchase with confidence; asking $495.
| Weight | 21 lbs |
|---|---|
| Dimensions | 15.8 × 20.9 × 9.6 in |
Technics is the premium audio name Matsushita (now Panasonic) created in Osaka in 1965, and its direct-drive turntables, above all the SL-1200, made it famous. We carry Technics turntables, stereo receivers, amplifiers, CD players, cassette decks and equalizers. We've had more than 160 Technics listings so far, covering more than 115 different models. Every used Technics here is inspected, tested and serviced as required, then photographed in-house and covered by our Bumper-to-Bumper Warranty and Perpetual Trade-Back Program. Turntables don't travel well by courier, so ours are pickup in Kanata or Curbside Delivery only. Don't see the model you want? Tell us on First Dibs and we'll email you when one arrives.
Our best-selling Technics models so far are two turntables, the SL-3200 and the SL-220.
The Technics story, 1965 to today
Matsushita Electric of Osaka created Technics in 1965 as its premium audio brand. The first product to carry the name was the Technics 1 bookshelf speaker.
Direct drive. The SP-10 of 1969 or 1970 (sources differ), built around a motor invented by Shuichi Obata, is what Technics calls the world's first direct-drive turntable. The SL-1200 followed in 1972 as a home hi-fi turntable, and the SL-1200MK2 of 1979 was redesigned with DJs in mind. About 3.5 million SL-1200s were made.
CD and the 1980s. The SL-P10 of 1982 was Technics' first CD player.
Pause and return. Panasonic ended SL-1200 production in 2010 and brought Technics back in 2014. A new SL-1200G arrived in 2016 and the SL-1200MK7 DJ model in 2019, and turntable production moved from Japan to Malaysia in 2021.
Which Technics is which?
SL-1200 and SL-1210: the MK2 of 1979 added quartz-locked speed control and a slider pitch control. The 1210 is the black version, often with dual-voltage switching.
SL-B, SL-D and SL-Q turntables: in the early-1980s range, Q models were fully automatic and quartz-locked, D models were not, and the SL-B models were belt-drive budget decks.
SL-3200, SL-220 and other home turntables: the Technics decks we sell most often.
SA receivers and SU amplifiers: such as the SA-1000 of 1978 to 1979. The SA-202 is one of the Technics receivers we've sold most.
RS tape decks, SL-P CD players and SB speakers: from the RS-1500U open-reel deck of 1976 to the SB-7000 linear-phase speakers of 1975.
Buying used Technics: what to check
Speed and pitch. On an SL-1200 or SL-1210, use the strobe to confirm the dots hold steady, and sweep the pitch fader at 33 and 45 rpm.
Tonearm. It should move smoothly with no play in the bearings, the headshell should clamp firmly, and the anti-skate, arm lock and cue lift should all work.
Connections. Loose leads cause crackling. Check the ground wire and both channels.
Everything we list is inspected, tested and serviced as required here, and comes with our warranty.
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