Paradigm J-60 26″ Fillable Welded Steel Speaker Stands – Pair
$295.00
Three welded steel columns rising from a 12 by 12 inch base to a 7.5 by 9 inch top plate — the stand Paradigm sold for the Studio 20 and the Active 20. The columns are hollow and meant to be filled: a bag of dry play sand roughly doubles their mass and stops the ringing. Supplied unfilled, with felt pads fitted and the original spikes included. Very good condition.
2 in stock
Paradigm J-60 Speaker Stands – 26-Inch Welded Three-Post Steel, Sand-Fillable, Felt Pads Fitted, Original Spikes Included, Very Good Condition
Stands from the era when Paradigm sold them built to a standard the current range no longer matches.
Where the J-60 Came From
The J-60 was the stand Paradigm sold for the Studio 20 and Active 20, and it was not an accessory afterthought. Three welded steel columns rise from a substantial 12 by 12 inch base to a generous 7.5 by 9 inch top plate.
Against Paradigm’s Current Stand
The comparison with Paradigm’s current stand is instructive. The J-29 occupies the same place in the range today, is still recommended for the Studio 20, and lists at $498 CAD (approx. US$355) the pair. It is built around a single extruded aluminium centre post. The J-60 in front of you has three welded steel columns and a fillable cavity, and it costs a good deal less.
The Fillable Columns
The columns are fillable, and that is the feature worth understanding. They are solid enough as they stand. Filled with dry play sand or lead shot they become genuinely inert, roughly doubling in mass and killing the ringing that turns a hollow stand into an unwanted resonator sitting directly beneath your speaker. It costs a bag of sand and an afternoon, and the improvement in bass definition is not subtle. These are supplied unfilled, so that upgrade is still in front of you.
Height and What It Suits
At 26 inches these are shorter than the 29 and 30 inch stands more commonly found, and that suits a full-size bookshelf cabinet. Put a 12 to 14 inch speaker on one of these and the tweeter lands close to seated ear height in most rooms, where a taller stand would carry it above the listening position. Worth measuring your own seating height against your cabinet before choosing a stand, whichever way it points.
The Base
The base deserves a mention too. Twelve inches square under a 26 inch column is an unusually wide stance, and it is what makes these stable enough to trust with a heavy speaker in a room with children or a dog.
Radique-Fitted Enhancements
These are mounted on Radique Audio High Density Felt pads in our signature Magenta, which suit hard flooring — hardwood, tile or laminate — and let a stand be nudged into position without marking the floor underneath it. Paradigm’s original spikes are included as well, so carpet is covered the moment you want it.
Condition
Cosmetically this pair is in very good condition.
Features
- The stand Paradigm sold for the Studio 20 and Active 20
- Three welded steel columns — not a single centre post
- Fillable columns for sand or lead shot loading
- Wide 12 x 12 inch base for stability
- Generous 7.5 x 9 inch top plate suits full-size bookshelf speakers
- 26 inch height — suits larger bookshelf cabinets and lower seating
- Radique Audio High Density Felt pads in our signature Magenta, fitted
- Paradigm original spikes included
Paradigm J-60 Speaker Stands Specifications
- Model: J-60
- Construction: Welded three-post steel, fillable columns
- Height: 26 inches (660 mm)
- Base: 12 x 12 inches (305 x 305 mm)
- Top Plate: 7.5 x 9 inches (191 x 229 mm)
- Floor Contact: Radique Audio High Density Felt pads in our signature Magenta, fitted — Paradigm original spikes included
- Weight: 20 lbs (9.1 kg) each, unfilled
🔌 Speaker Cable, Built on Our Own Bench
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| Weight | 42 lbs |
|---|---|
| Dimensions | 16 × 26 × 30 in |
Paradigm has designed loudspeakers in the Toronto area since 1982, with engineering roots that run through Ottawa: it took part in the National Research Council's loudspeaker research here, and its research lab has been in Ottawa since 1993. We've had more than 600 Paradigm listings so far, covering 193 different models, more than any other brand we resell. Every used Paradigm here is inspected, tested and serviced as required, then photographed in-house and covered by our Bumper-to-Bumper Warranty and Perpetual Trade-Back Program. Don't see the model you want? Tell us on First Dibs and we'll email you when one arrives.
Our five best-selling Paradigm models so far: the Cinema 330 v.3 on-wall speakers, the Mini Monitor bookshelf speakers, the Monitor 7 towers, and the PS-1000 and PDR-10 subwoofers.
The Paradigm story, 1982 to today
Jerry VanderMarel and Scott Bagby founded Paradigm in 1982 in the Toronto area, VanderMarel running sales and marketing and Bagby design and manufacturing. Their first speakers made their debut at a Toronto audio show that year, and Paradigm says 12 dealers signed on.
The Ottawa years. In the 1980s almost every major Canadian speaker maker measured its designs in the National Research Council's anechoic chamber here in Ottawa, and Paradigm took part in the research Dr. Floyd Toole led at the NRC, which paired chamber measurements with blind listening tests. Paradigm built its own anechoic chamber in 1988, sparing its engineers the five-hour drive to Ottawa. In the late 1980s and early 1990s it was one of several Canadian companies in the NRC's Athena project, which studied speakers that adapt to the room. NRC scientists Peter Schuck and Marc Bonneville then joined Paradigm, which says it opened its Ottawa research centre, PARC, for them in 1993. That lab went on to design Anthem's electronics and its room-correction system. A 1990s Paradigm Titan is now part of the collection at Ingenium, Canada's science and technology museums, here in Ottawa.
Growth. Paradigm moved into the US market in the mid-1980s, added its first in-wall speaker in 1989 and launched the Monitor series in 1990. The Titan was a hit by 1991, the Atom followed in 1992, and the PS-1000 of 1994 was its first powered subwoofer. By 1992 Stereophile counted about 256 Paradigm dealers in the US.
Reference and the new factory. The Reference line, with its Studio speakers, arrived in the mid-1990s; Stereophile reviewed the Studio/100 in 1997. In 1998 Paradigm bought Sonic Frontiers, which brought Anthem into the family. In 2001 it moved into a new Mississauga factory with what it calls the hemisphere's largest privately owned anechoic chamber, at 33,000 cubic feet. A tour that year found the plant finishing 1,500 speakers a day, with driver frames cast, cones moulded and voice coils wound in-house.
Changes of hands. Co-founder Jerry VanderMarel left in 2005, when the private-equity firm ShoreView Industries became Scott Bagby's partner; together they went on to buy MartinLogan. Compact lines such as Cinema were built overseas from the start, and from the 2010s Monitor was too, while Prestige (2014), Persona (2016) and Founder (2021) have been built in Mississauga. In 2019 Scott Bagby and his son John bought Paradigm, Anthem and MartinLogan back from ShoreView, and their company, PML Sound International, added GoldenEar at the start of 2025.
Which Paradigm is which?
Performance Series (1990s to 2006): the entry line, with the Atom, Titan, Focus, Esprit and Phantom. A 1990s Titan's label reads "Performance Series … Made in Canada". At the end of 2006 the Atom and Titan moved into the Monitor line.
Monitor (from 1990): the step-up line, and from 2006 the entry line; today's version is Monitor SE. In the early 1990s it was topped by the Studio Monitor tower, in real wood veneer.
Reference Studio (mid-1990s to mid-2010s): the Studio/20, 40, 60, 80 and 100 plus matching centres, with die-cast aluminium driver chassis and aluminium-dome tweeters, made in numbered versions. From the v.2 generation of 1999 the sides came in laminate or, for a little more, real wood veneer. A favourite here is the Studio/80 v.2, a slim 2.5-way tower from about 1999 to 2003; the pairs with real wood sides are the ones to find.
Signature (2004–2016): the flagship of its day, part of the Reference family.
Cinema (from about 2000): compact home-theatre satellites and centres in polymer cabinets, designed to be used with a subwoofer, later sold as Cinema CT packages.
Millenia (from 2006): slim aluminium-cabinet speakers made to suit flat-panel TVs. The little MilleniaOne was Sound & Vision's 2011 Product of the Year.
Stylus (from 1999): weatherproof outdoor speakers.
Today's lines: Monitor SE, Premier (2018), Prestige (2014), Founder (2021) and the Persona flagship (2016).
Subwoofers: from the PS-1000 (1994) and Servo-15 (1996) through the PS and PW series to Defiance (2018).
Buying used Paradigm: what to check
The rear label. Where a Paradigm was built depends on the line and the year, and some names were reused (the Atom and Titan moved from Performance to Monitor, and the Esprit name appeared in more than one line), so the label tells you exactly what you have.
Veneer or laminate. On Reference Studio models from 1999 on, real wood veneer sides were an option; look closely at the sides before you assume.
Woofer surrounds. Owners report foam surrounds needing replacement on some older models, including early Titans. Press gently around each one.
Powered subwoofers. The amplifier is the part most likely to have aged. Run a used sub at volume and check that auto-on still works.
Everything we list is inspected, tested and serviced as required here, and comes with our warranty.
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