Gorgeous Reference Collection Paradigm Towers Studio 60 v3 (Reduced)

$1,195.00

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Description

Glowingly reviewed by Stereophile magazine, and many owners past and present alike, the Studio 60 v.3 is a gracefully proportioned but simple 2½-way tower with two 7″ mid/bass drivers and a 1″ tweeter.

They boast an extraordinarily high level of fit’n’finish. Just two examples: First, the cabinet’s rubbery top grades smoothly into the side panels to provide a non-resonant surface, molding its contours to suit the tweeter’s radiation; its shape and substance resist being marred by the cocktail glasses of inconsiderate guests. Second, the two pairs of multiway binding posts are clearly color-coded and can be operated with finger force alone.

While the v.2 was an excellent speaker in its own right, the v.3 is significantly larger, and more complex, than its predecessor. A rap with a knuckle produced a sound of slightly higher pitch and lower amplitude than it did from the v.2, suggesting that the v.3 is both more rigid and less resonant. This may be due to the v.3’s more complex cabinet construction and driver mounting, as well as to the cabinet’s curved rubbery top, which surrounds the slightly protruding cowl enclosing the aluminum-dome, ferrofluid-cooled tweeter.

Other external differences from the v.2 are the v.3’s front and back ports and the very substantial, stationary brass phase plug on its upper mid/bass driver. That driver has a mica-polymer cone and a 1.5″ voice-coil; the v.3’s second-order crossover hands off the signal to the tweeter at 2kHz. The lower bass driver, which is rolled off above 500Hz, is similar but has a mineral-filled polypropylene cone. All three drivers have diecast chassis and are resiliently mounted to the cabinet to minimize transmission of vibration via any medium but air. (Paradigm calls this system IMS/Shock-Mounting.)

The aforementioned Stereophile review provided the following synopsis: “Over the years, I’ve reviewed a number of speakers in the $1000-$2000/pair range because this is where, it seems to me, the going gets tough. Speakers costing less than $1000/pair usually include serious compromises, and those costing more than $2000/pair, no matter how good they are, can be enjoyed only by the relative few who can afford them. In this range, several other speakers have outstanding and desirable traits, but no speaker costing anywhere near $1600/pair has a better integration of all performance parameters than Paradigm’s Reference Studio 60 v.3.”

Specifications:

High Frequency Driver: 25-mm (1 in) S-PAL™ satin-anodized pure-aluminum dome, ferro – fluid damped/cooled. Diecast heatsink chassis, IMS/SHOCK-MOUNT™

Mid/Bass Frequency Driver: 178-mm (7 in) MLP™ mica-polymer cone, 38-mm (1-1/2 in) voice coil. AVS™ die-cast heatsink chassis, IMS/SHOCK-MOUNT™

Low Frequency Driver: 178-mm (7 in) mineral-filled polypropylene cone, 38-mm (1-1/2 in) voice coil, AVS™ die-cast heatsink chassis, IMS/SHOCK-MOUNT™

Suitable Amplifier Power Range: 15 – 200 watts (compatible with 8 Ohms)

In Room Sensitivity: 91 dB, Frequency Response On-Axis: ±2dB from 46 Hz – 22 kHz

Dimensions HxWxD: 40.5″ × 8.25″ × 17″, (102.9cm × 21.0cm × 43.2cm), Weight: 70lbs each.

Retailed for $1699 USD when new. (Current comparable model retails for over $3K/pair with tax.) Asking just $1195 for these fantastic, made in Canada Paradigm performers.

Additional information
Weight145 lbs
Dimensions21 × 22.5 × 21 in
About brand
Paradigm at Radique

Paradigm has designed loudspeakers in the Toronto area since 1982, with engineering roots that run through Ottawa: it took part in the National Research Council's loudspeaker research here, and its research lab has been in Ottawa since 1993. We've had more than 600 Paradigm listings so far, covering 193 different models, more than any other brand we resell. Every used Paradigm here is inspected, tested and serviced as required, then photographed in-house and covered by our Bumper-to-Bumper Warranty and Perpetual Trade-Back Program. Don't see the model you want? Tell us on First Dibs and we'll email you when one arrives.

Our five best-selling Paradigm models so far: the Cinema 330 v.3 on-wall speakers, the Mini Monitor bookshelf speakers, the Monitor 7 towers, and the PS-1000 and PDR-10 subwoofers.

The Paradigm story, 1982 to today

Jerry VanderMarel and Scott Bagby founded Paradigm in 1982 in the Toronto area, VanderMarel running sales and marketing and Bagby design and manufacturing. Their first speakers made their debut at a Toronto audio show that year, and Paradigm says 12 dealers signed on.

The Ottawa years. In the 1980s almost every major Canadian speaker maker measured its designs in the National Research Council's anechoic chamber here in Ottawa, and Paradigm took part in the research Dr. Floyd Toole led at the NRC, which paired chamber measurements with blind listening tests. Paradigm built its own anechoic chamber in 1988, sparing its engineers the five-hour drive to Ottawa. In the late 1980s and early 1990s it was one of several Canadian companies in the NRC's Athena project, which studied speakers that adapt to the room. NRC scientists Peter Schuck and Marc Bonneville then joined Paradigm, which says it opened its Ottawa research centre, PARC, for them in 1993. That lab went on to design Anthem's electronics and its room-correction system. A 1990s Paradigm Titan is now part of the collection at Ingenium, Canada's science and technology museums, here in Ottawa.

Growth. Paradigm moved into the US market in the mid-1980s, added its first in-wall speaker in 1989 and launched the Monitor series in 1990. The Titan was a hit by 1991, the Atom followed in 1992, and the PS-1000 of 1994 was its first powered subwoofer. By 1992 Stereophile counted about 256 Paradigm dealers in the US.

Reference and the new factory. The Reference line, with its Studio speakers, arrived in the mid-1990s; Stereophile reviewed the Studio/100 in 1997. In 1998 Paradigm bought Sonic Frontiers, which brought Anthem into the family. In 2001 it moved into a new Mississauga factory with what it calls the hemisphere's largest privately owned anechoic chamber, at 33,000 cubic feet. A tour that year found the plant finishing 1,500 speakers a day, with driver frames cast, cones moulded and voice coils wound in-house.

Changes of hands. Co-founder Jerry VanderMarel left in 2005, when the private-equity firm ShoreView Industries became Scott Bagby's partner; together they went on to buy MartinLogan. Compact lines such as Cinema were built overseas from the start, and from the 2010s Monitor was too, while Prestige (2014), Persona (2016) and Founder (2021) have been built in Mississauga. In 2019 Scott Bagby and his son John bought Paradigm, Anthem and MartinLogan back from ShoreView, and their company, PML Sound International, added GoldenEar at the start of 2025.

Which Paradigm is which?

Performance Series (1990s to 2006): the entry line, with the Atom, Titan, Focus, Esprit and Phantom. A 1990s Titan's label reads "Performance Series … Made in Canada". At the end of 2006 the Atom and Titan moved into the Monitor line.

Monitor (from 1990): the step-up line, and from 2006 the entry line; today's version is Monitor SE. In the early 1990s it was topped by the Studio Monitor tower, in real wood veneer.

Reference Studio (mid-1990s to mid-2010s): the Studio/20, 40, 60, 80 and 100 plus matching centres, with die-cast aluminium driver chassis and aluminium-dome tweeters, made in numbered versions. From the v.2 generation of 1999 the sides came in laminate or, for a little more, real wood veneer. A favourite here is the Studio/80 v.2, a slim 2.5-way tower from about 1999 to 2003; the pairs with real wood sides are the ones to find.

Signature (2004–2016): the flagship of its day, part of the Reference family.

Cinema (from about 2000): compact home-theatre satellites and centres in polymer cabinets, designed to be used with a subwoofer, later sold as Cinema CT packages.

Millenia (from 2006): slim aluminium-cabinet speakers made to suit flat-panel TVs. The little MilleniaOne was Sound & Vision's 2011 Product of the Year.

Stylus (from 1999): weatherproof outdoor speakers.

Today's lines: Monitor SE, Premier (2018), Prestige (2014), Founder (2021) and the Persona flagship (2016).

Subwoofers: from the PS-1000 (1994) and Servo-15 (1996) through the PS and PW series to Defiance (2018).

Buying used Paradigm: what to check

The rear label. Where a Paradigm was built depends on the line and the year, and some names were reused (the Atom and Titan moved from Performance to Monitor, and the Esprit name appeared in more than one line), so the label tells you exactly what you have.

Veneer or laminate. On Reference Studio models from 1999 on, real wood veneer sides were an option; look closely at the sides before you assume.

Woofer surrounds. Owners report foam surrounds needing replacement on some older models, including early Titans. Press gently around each one.

Powered subwoofers. The amplifier is the part most likely to have aged. Run a used sub at volume and check that auto-on still works.

Everything we list is inspected, tested and serviced as required here, and comes with our warranty.