Marantz Model 104 AM/FM Tuner — Made in Japan, Excellent
$395.00
We sold this tuner ourselves and it came back through our Perpetual Trade-Back Program — so we know what it was when it left, and it has been through our bench again since. A 1976 Model 104 in excellent cosmetic condition: silver face, blue dial lighting, made in Japan.
1 in stock
Marantz Model 104 AM/FM Stereophonic Tuner — Made in Japan, Silver Face, Blue Dial Lighting, Excellent Cosmetics
A Marantz Model 104 tuner in excellent cosmetic condition, made in Japan, and one we know the history of because we sold it ourselves.
Where This One Came From
This tuner left here earlier this year and has come back to us through our Perpetual Trade-Back Program. That is worth saying plainly: we know what it was when it went out, we know how it has been treated, and we have put it back through our bench before offering it again. Very little used equipment comes with that.
The Model 104 in the Range
The Model 104 was the accessible end of Marantz’s tuner range in 1976, and it was built the way the expensive ones were. Three-gang tuning on FM and two-gang on AM, ceramic filters in the IF stages, a proper flywheel-weighted tuning knob, and the blue dial illumination that people recognise across a room. Marantz built it in Japan between 1976 and 1978.
The Numbers
On the numbers: FM sensitivity is 2.5 µV, selectivity 48 dB, signal-to-noise 58 dB and distortion 0.7% on FM stereo. AM sensitivity is 25 µV. Those are honest figures for a tuner at this level and they translate into what actually matters — it locks onto a station and stays there, separates neighbours on a crowded dial, and stays quiet between them.
Cosmetics
The cosmetics are the reason this one is worth attention. The silver faceplate is exceptionally clean, the dial glass is clear, and the blue lighting is even across the whole dial with no dead sections. Every knob and switch is present and moves properly, without scratchiness or slop. Tuners of this age usually show their fifty years on the faceplate and in the lighting; this one does not.
Tested Here
It has been tested here across both bands and performs as it should — clean FM with good stereo separation, responsive AM, and all lighting, meters and indicators working.
Why an Analogue Tuner
There is a real pleasure in an analogue tuner that a digital one cannot give you: the slow sweep across the band, the needle settling, the stereo light coming on. This is a good example of it in a condition that lets you enjoy the looking as well as the listening.
A Japanese-built Marantz tuner in unusually clean condition, with its whole history known to us because we sold it in the first place.
Features
- Made in Japan
- Three-gang FM tuning section, two-gang AM
- Ceramic IF filters
- Blue dial illumination, even across the dial
- Flywheel-weighted analogue tuning
- Signal strength and centre-tuning meters
- Stereo indicator
- Muting switch for quiet tuning between stations
- Fixed and variable outputs
- Sold and traded back to us — full history known
Marantz Model 104 AM/FM Stereophonic Tuner Specifications
- Model: Model 104 AM/FM Stereophonic Tuner
- Production: 1976 to 1978
- FM Tuning Range: 87.5 to 108 MHz
- AM Tuning Range: 525 to 1650 kHz
- FM Sensitivity: 2.5 µV
- AM Sensitivity: 25 µV
- Selectivity: 48 dB
- Signal to Noise Ratio: 58 dB (FM)
- Distortion: 0.7% (FM)
- Tuning: Three gangs FM, two gangs AM
- Outputs: Fixed and variable line level
- Power Consumption: 15 watts
- Country of Manufacture: Japan
- Condition: Excellent cosmetics, fully tested
- Dimensions: (Width x Height x Depth) 14.2 x 4.7 x 11.1 inches (360 x 120 x 281 mm)
- Weight: 12.1 lbs (5.5 kg)
🎚️ Gold Series RCA Interconnects
Our own Gold Series RCA Stereo Interconnect is a shielded, gold-plated stereo pair, in stock and ready to go. It is the cable that connects this to the rest of your system, and it is a straightforward upgrade on the free leads that come in the box with most equipment. 👉
⚠️ Important Information for International Buyers
This unit is configured for North American 110/120V power. Buyers outside North America will require a step-down transformer and appropriate plug adapter.
✅ Buy With Confidence — The Radique Promise
Backed by Radique Audio’s Bumper-to-Bumper Warranty and our Perpetual Trade-Back Program. When you’re ready to move on, we’ll take it back. That’s the Radique difference.
📦 Watch how we protect your gear — our unboxing video.
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📞 Questions? Use the Ask a Question button above, or call us at 613-416-9995.
⭐ Don’t Just Take Our Word For It
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| Weight | 14.1 lbs |
|---|---|
| Dimensions | 15.1 × 18.2 × 8.7 in |
Marantz began in 1953 in Queens, New York, where Saul Marantz built tube preamplifiers and amplifiers, and by the 1970s it was making receivers with champagne-gold faceplates, blue-lit dials and flywheel tuning. We carry Marantz receivers, amplifiers and preamps, turntables, tuners, CD players and cassette decks. We've had more than 150 Marantz listings so far, covering nearly 100 different models. Every used Marantz here is inspected, tested and serviced as required, then photographed in-house and covered by our Bumper-to-Bumper Warranty and Perpetual Trade-Back Program. Many Marantz components were sold without their wood case, so we also make new cherry WC-22 and WC-10 style cabinets. Don't see the model you want? Tell us on First Dibs and we'll email you when one arrives.
Our five best-selling Marantz models so far: the SR4023 stereo receiver, the vintage 2225, the SR7000 AV receiver, the SR4320 stereo receiver and the vintage 2238B.
The Marantz story, 1953 to today
Saul B. Marantz founded the company in New York in 1953. His first product, the Audio Consolette preamplifier, became the Model 1, and Marantz dates the first Consolettes to 1952–53. Marantz says the early factory was in Woodside, Queens.
The tube years. Through the late 1950s and early 1960s Marantz built a small run of tube separates in New York that collectors still chase: the Model 7 preamplifier (1958), the Model 9 power amplifier (1960) and the Model 10B tuner (1964).
Superscope and the move to Japan. In 1964 Superscope, the company that also distributed Sony tape recorders in the US, bought Marantz, and Saul Marantz resigned at the end of 1967. The Model Eighteen of 1968 was the first Marantz receiver, rated at 40 watts per channel. Under Superscope, design moved to California and, from the late 1960s, production moved to Japan through Standard Radio, which became Marantz Japan in 1975. Receivers such as the 2230 and 2270 are listed as designed in the USA and produced in Japan.
The power race. After a 1974 Federal Trade Commission rule tightened how amplifier power was rated, receiver makers competed on watts. Marantz's Model 2500 of the late 1970s was rated at 250 watts per channel and had an oscilloscope tuning display.
Philips, Denon and today. In 1980 Philips bought Superscope's stake in Marantz Japan and the brand outside the US and Canada. Marantz says its CD-63 of 1982 was one of the first CD players, and its "KI Signature" models carry the initials of Ken Ishiwata, who joined in 1978. In 2001 Marantz Japan bought the trademark back from Philips, and in 2002 it combined with Denon to form D&M Holdings. In September 2025 HARMAN, a Samsung company, completed its purchase of Sound United, the parent of Marantz and Denon.
Which Marantz is which?
Tube separates (1950s–60s): the Models 1, 7, 8B, 9 and 10B, built in New York. Rare collector pieces.
First receivers (from 1968): the Model Eighteen, followed by the Nineteen at the end of 1969.
22xx receivers (from 1972): the first set was the 2215, 2230, 2245 and 2270, with the champagne-gold faceplate, blue-lit dial and "Gyro-Touch" flywheel tuning. A higher number generally means more power: the 2230 is rated at 30 watts per channel, the 2270 at 70. Later "B" versions such as the 2220B and 2285B followed.
Big late-1970s receivers: the 2325 (125 watts per channel), the 2500 flagship and four-channel "Quad" receivers.
1000-series integrated amplifiers: for example the 1060 (30 watts per channel, from 1971), the 1070 and the 1150 (75 watts per channel). The slim 1030, 1040, 1060 and 1070 share their case size with tuners such as the 104, 105 and 112.
Tuners: from the tube Model 10B to solid-state models such as the 2130, with its oscilloscope display.
Wood cases: Marantz sold its wood cases separately: the WC-22 for the 22xx receivers, the WC-10 for the slim 1000-series amplifiers and 100-series tuners, and the WC-1 for larger models such as the 1200. That is why so many turn up bare. A customer who sold Marantz in Ontario in the 1970s told us the cases his shop ordered were built here in Canada, by Westinghouse. Our own cherry WC-22 and WC-10 style cabinets are made in Canada too.
CD players: from the CD-63 of 1982 to the KI Signature versions.
Buying used Marantz: what to check
Dial and meter lamps. Burnt-out bulbs are common on 1970s receivers and are often replaced, sometimes with LEDs. Ask which, if the look of the dial matters to you.
The dial itself. The diffuser sheet behind the dial ages and can dull the glow. Check that the Gyro-Touch pointer moves smoothly and tracks the stations; dial cords are a common replacement part.
Controls and switches. Crackle when you turn a control or work a switch usually means dirt. Try every input, and walk away from a unit that drops a channel.
Capacitors and bias. Electrolytic capacitors in 1970s gear are often past their best, and full restorations replace them. Restorers also set the bias and DC offset.
Cosmetics. Pitting on the faceplate points to damp storage, and dents or water stains to rough handling.
Everything we list is inspected, tested and serviced as required here, and comes with our warranty.
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