Marantz Stereo 70s Network Receiver – 75 WPC, 2.2-Channel
$995.00
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Marantz Stereo 70s 2.2-Ch Network Receiver 75 WPC
The Marantz Stereo 70s is a landmark product — a slimline 2-channel stereo receiver that brings the full feature set of a modern AV receiver into an elegant, compact form designed around two speakers and a simple, beautiful living space.
The concept is genuinely clever: all the HDMI switching, 8K video, streaming, and subwoofer management of a full-size AVR, delivered through a purely stereo amplifier section with no compromise to the listening experience. At its core is a fully discrete Class A/B power amplifier producing 75 watts per channel into 8Ω (100 watts into 6Ω), built around Marantz’s proprietary HDAM (Hyper Dynamic Amplifier Module) circuit boards — discrete designs that replace the integrated op-amps found in most competitors, delivering measurably lower noise and higher slew rates. The result is the warm, spacious, and tonally rich presentation that Marantz has been refining for 70 years.
Six HDMI 2.1 inputs — three supporting 8K/60Hz — plus one ARC output make the Stereo 70s a natural hub for any modern home entertainment setup: smart TV, games console, streaming device, and turntable can all be managed through a single slim unit just 4.3 inches tall. Dual subwoofer outputs and a 2.2 multichannel pre-out section add substantial bass management capability. A dedicated MM phono stage handles turntable input directly. Streaming is comprehensive via the HEOS ecosystem, with AirPlay 2, Bluetooth, Wi-Fi, Spotify Connect, TIDAL, Amazon Music HD, and more all built in. A Pure Direct mode bypasses all processing for the most direct signal path to the amplifier.
The front panel presents Marantz’s characteristic port-hole OLED display, clean control layout, and front headphone output — all within a chassis that is half the height of a conventional receiver. The black finish is refined and unobtrusive.
This unit has been thoroughly inspected and tested to confirm full functionality and is presented in like-new condition in its original packaging with all accessories included.
Type: 2.2-channel slimline network stereo receiver
Power output: 75 WPC into 8Ω (20 Hz–20 kHz, 0.08% THD); 100 WPC into 6Ω (1 kHz, 0.7% THD)
Amplifier topology: Fully discrete Class A/B with HDAM modules
Frequency response: 10 Hz – 100 kHz (+1, -3 dB, Direct mode)
Signal to noise ratio: 98 dB (IHF-A weighted, Direct mode)
Phono input: MM, 2.5 mV sensitivity
HDMI: 6 inputs (3 × 8K/60Hz, 3 × 4K/60Hz) / 1 output with ARC; HDCP 2.3; HDR10, HLG, Dolby Vision, HDR10+
HDMI video: 8K upscaling from 1080p/4K; ALLM, VRR, QFT gaming support
Analog inputs: 3 × stereo RCA line-level; 1 × MM phono
Digital inputs: 1 × optical, 1 × coaxial
Outputs: 2 × speaker terminal pairs (A/B); 2.2 multichannel pre-out; 2 × subwoofer pre-out; 1 × zone stereo RCA pre-out; 1 × headphone (front panel)
Streaming: HEOS, AirPlay 2, Bluetooth (transmit and receive), Wi-Fi, Ethernet, Spotify Connect, TIDAL, Amazon Music HD, TuneIn, Deezer, and more
Tuner: AM/FM with external antennas
Hi-Res audio: PCM 192/24; DSD 2.8/5.6 MHz
USB: Type-A host port for local playback
Smart home: Amazon Alexa, Google Assistant, Apple HomePod compatible
Finish: Black
Includes: Original packaging, remote control RC-052SR, AM/FM antennas, wire labels, quick start guide, AC cord
Dimensions: (Width x Height x Depth) 17.4 x 4.3 x 14.7 inches (442 x 109 x 373 mm)
Weight: 18.5 lbs (8.4 kg)
A like-new Marantz Stereo 70s in original packaging — one of the most compelling current-production stereo receivers available, combining genuine audiophile amplification with the connectivity of a modern AV hub.
Backed by Radique Audio’s 90-day warranty and our perpetual trade-back policy, you can purchase with confidence.
| Weight | 20.5 lbs |
|---|---|
| Dimensions | 18.7 × 21.4 × 8.3 in |
Marantz began in 1953 in Queens, New York, where Saul Marantz built tube preamplifiers and amplifiers, and by the 1970s it was making receivers with champagne-gold faceplates, blue-lit dials and flywheel tuning. We carry Marantz receivers, amplifiers and preamps, turntables, tuners, CD players and cassette decks. We've had more than 150 Marantz listings so far, covering nearly 100 different models. Every used Marantz here is inspected, tested and serviced as required, then photographed in-house and covered by our Bumper-to-Bumper Warranty and Perpetual Trade-Back Program. Many Marantz components were sold without their wood case, so we also make new cherry WC-22 and WC-10 style cabinets. Don't see the model you want? Tell us on First Dibs and we'll email you when one arrives.
Our five best-selling Marantz models so far: the SR4023 stereo receiver, the vintage 2225, the SR7000 AV receiver, the SR4320 stereo receiver and the vintage 2238B.
The Marantz story, 1953 to today
Saul B. Marantz founded the company in New York in 1953. His first product, the Audio Consolette preamplifier, became the Model 1, and Marantz dates the first Consolettes to 1952–53. Marantz says the early factory was in Woodside, Queens.
The tube years. Through the late 1950s and early 1960s Marantz built a small run of tube separates in New York that collectors still chase: the Model 7 preamplifier (1958), the Model 9 power amplifier (1960) and the Model 10B tuner (1964).
Superscope and the move to Japan. In 1964 Superscope, the company that also distributed Sony tape recorders in the US, bought Marantz, and Saul Marantz resigned at the end of 1967. The Model Eighteen of 1968 was the first Marantz receiver, rated at 40 watts per channel. Under Superscope, design moved to California and, from the late 1960s, production moved to Japan through Standard Radio, which became Marantz Japan in 1975. Receivers such as the 2230 and 2270 are listed as designed in the USA and produced in Japan.
The power race. After a 1974 Federal Trade Commission rule tightened how amplifier power was rated, receiver makers competed on watts. Marantz's Model 2500 of the late 1970s was rated at 250 watts per channel and had an oscilloscope tuning display.
Philips, Denon and today. In 1980 Philips bought Superscope's stake in Marantz Japan and the brand outside the US and Canada. Marantz says its CD-63 of 1982 was one of the first CD players, and its "KI Signature" models carry the initials of Ken Ishiwata, who joined in 1978. In 2001 Marantz Japan bought the trademark back from Philips, and in 2002 it combined with Denon to form D&M Holdings. In September 2025 HARMAN, a Samsung company, completed its purchase of Sound United, the parent of Marantz and Denon.
Which Marantz is which?
Tube separates (1950s–60s): the Models 1, 7, 8B, 9 and 10B, built in New York. Rare collector pieces.
First receivers (from 1968): the Model Eighteen, followed by the Nineteen at the end of 1969.
22xx receivers (from 1972): the first set was the 2215, 2230, 2245 and 2270, with the champagne-gold faceplate, blue-lit dial and "Gyro-Touch" flywheel tuning. A higher number generally means more power: the 2230 is rated at 30 watts per channel, the 2270 at 70. Later "B" versions such as the 2220B and 2285B followed.
Big late-1970s receivers: the 2325 (125 watts per channel), the 2500 flagship and four-channel "Quad" receivers.
1000-series integrated amplifiers: for example the 1060 (30 watts per channel, from 1971), the 1070 and the 1150 (75 watts per channel). The slim 1030, 1040, 1060 and 1070 share their case size with tuners such as the 104, 105 and 112.
Tuners: from the tube Model 10B to solid-state models such as the 2130, with its oscilloscope display.
Wood cases: Marantz sold its wood cases separately: the WC-22 for the 22xx receivers, the WC-10 for the slim 1000-series amplifiers and 100-series tuners, and the WC-1 for larger models such as the 1200. That is why so many turn up bare. A customer who sold Marantz in Ontario in the 1970s told us the cases his shop ordered were built here in Canada, by Westinghouse. Our own cherry WC-22 and WC-10 style cabinets are made in Canada too.
CD players: from the CD-63 of 1982 to the KI Signature versions.
Buying used Marantz: what to check
Dial and meter lamps. Burnt-out bulbs are common on 1970s receivers and are often replaced, sometimes with LEDs. Ask which, if the look of the dial matters to you.
The dial itself. The diffuser sheet behind the dial ages and can dull the glow. Check that the Gyro-Touch pointer moves smoothly and tracks the stations; dial cords are a common replacement part.
Controls and switches. Crackle when you turn a control or work a switch usually means dirt. Try every input, and walk away from a unit that drops a channel.
Capacitors and bias. Electrolytic capacitors in 1970s gear are often past their best, and full restorations replace them. Restorers also set the bias and DC offset.
Cosmetics. Pitting on the faceplate points to damp storage, and dents or water stains to rough handling.
Everything we list is inspected, tested and serviced as required here, and comes with our warranty.
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