Paradigm Monitor 3 v3 Bookshelf Speakers – 8″ Woofer, Canada
$395.00
An 8-inch woofer in a cabinet small enough to sit on a stand — a 210 mm ICP cone on a die-cast chassis, with a third-generation titanium dome on the Studio-series waveguide faceplate, crossed at 2.0 kHz. Low frequency extension to 38 Hz and 91 dB room sensitivity, so 15 watts drives them and 150 is just headroom. Built in Canada, in Black Ash. Very good condition.
1 in stock
Paradigm Monitor 3 v3 Bookshelf Speakers – 8-Inch ICP Woofer, Studio-Series Waveguide Tweeter, Black Ash, Made in Canada
A Canadian-made stand-mounted speaker with a full 8-inch woofer, which is what separates the Monitor 3 from every compact bookshelf it gets shelved beside.
The 8-Inch Woofer
Most bookshelf speakers stop at six and a half inches, and the bass stops with them. The Monitor 3 was Paradigm’s answer to that: a 210-mm ICP cone on a die-cast chassis, loaded by a quasi-third-order resistive port firing from the rear, in a cabinet still small enough to sit on a stand. Low frequency extension runs to 38 Hz, and the response holds within 2 dB from 56 Hz all the way to 20 kHz. That is genuine low end from a speaker you can put behind a sofa rather than beside one, and it is the reason people who owned these tend to talk about them years later.
What Changed at v3
The v3 generation is the one to have. When Paradigm replaced the v2 in May 2002 the headline change was the high frequency driver: a third-generation 25-mm pure-titanium dome mounted on the Waveguide faceplate developed for the company’s Studio series. The mid/bass drivers were redesigned at the same time with new motor structures, bullet dust caps and larger magnets, which is where the extra sensitivity and the tighter, more defined bass come from. The crossover is third-order electro-acoustic at 2.0 kHz.
Amplifier Matching
They are also easy to live with electrically. Room sensitivity is 91 dB, the load is compatible with 8 ohms, and Paradigm rates them for anything from 15 to 150 watts, so a modest integrated drives them properly and a larger amplifier is simply headroom. Connection is through Paradigm’s own 5-way binding posts, which take banana plugs, spades or bare wire.
Made in Canada
Designed, engineered and built in Canada at Paradigm’s Mississauga facility, and finished in Black Ash.
Condition and Service
This pair is in very good condition and has been thoroughly inspected and tested to confirm full functionality.
Why This Pair
An 8-inch two-way that fits on a stand, from the era when Paradigm was still building the Monitor series in Ontario. Rarely the speaker anyone expects to hear in a room that size.
Features
- 210-mm (8 in) ICP injection-moulded co-polymer polypropylene cone on a die-cast chassis
- 25-mm (1 in) PTD pure-titanium dome tweeter on the Studio-series Waveguide faceplate
- Quasi-third-order resistive rear port
- Third-order electro-acoustic crossover at 2.0 kHz
- 91 dB room sensitivity — easy to drive
- Paradigm 5-way binding posts, suitable for banana plugs
- Black Ash finish
- Designed, engineered and built in Canada
Paradigm Monitor 3 v3 Bookshelf Speakers Specifications
- Model: Monitor 3 v3
- Design: 2-driver, 2-way bass reflex, quasi-third-order resistive port, bookshelf / stand-mounted
- Crossover: Third-order electro-acoustic at 2.0 kHz
- Frequency Response On-Axis: ±2 dB from 56 Hz to 20 kHz
- Frequency Response 30° Off-Axis: ±2 dB from 56 Hz to 18 kHz
- High Frequency Driver: 25-mm (1 in) PTD dome
- Mid/Bass Frequency Driver: 210-mm (8 in) ICP cone, die-cast chassis
- Low Frequency Extension: 38 Hz (DIN)
- Sensitivity Room / Anechoic: 91 dB / 88 dB
- Impedance: Compatible with 8 ohms
- Suitable Amplifier Power Range: 15 to 150 watts
- Finish: Black Ash
- Dimensions: (Width x Height x Depth) 9.2 x 15.6 x 12.75 inches (233 x 397 x 324 mm)
- Weight: 18 lbs (8.2 kg) each
🔌 Speaker Cable, Built on Our Own Bench
The speaker terminals here are five-way binding posts, so they take banana plugs or spade lugs and you have the run of the options. We hand-build speaker cable here in any length you need — choose the gauge and the terminations on our Custom Speaker Cable Builder. If you would rather terminate cable you already own, we make our own gold-plated banana plugs and spade connectors as well. 👉
✅ Buy With Confidence — The Radique Promise
Backed by Radique Audio’s Bumper-to-Bumper Warranty and our Perpetual Trade-Back Program. When you’re ready to move on, we’ll take it back. That’s the Radique difference.
📦 Watch how we protect your gear — our unboxing video.
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📞 Questions? Use the Ask a Question button above, or call us at 613-416-9995.
| Weight | 38 lbs |
|---|---|
| Dimensions | 16.75 × 24.4 × 19.6 in |
Paradigm has designed loudspeakers in the Toronto area since 1982, with engineering roots that run through Ottawa: it took part in the National Research Council's loudspeaker research here, and its research lab has been in Ottawa since 1993. We've had more than 600 Paradigm listings so far, covering 193 different models, more than any other brand. Every used Paradigm here is inspected, tested and photographed in-house, then covered by our Bumper-to-Bumper Warranty and Perpetual Trade-Back Program. Don't see the model you want? Tell us on First Dibs and we'll email you when one arrives.
The Paradigm story, 1982 to today
Jerry VanderMarel and Scott Bagby founded Paradigm in 1982 in the Toronto area, VanderMarel running sales and marketing and Bagby design and manufacturing. Their first speakers made their debut at a Toronto audio show that year, and Paradigm says 12 dealers signed on.
The Ottawa years. In the 1980s almost every major Canadian speaker maker measured its designs in the National Research Council's anechoic chamber here in Ottawa, and Paradigm took part in the research Dr. Floyd Toole led at the NRC, which paired chamber measurements with blind listening tests. Paradigm built its own anechoic chamber in 1988, sparing its engineers the five-hour drive to Ottawa. In the late 1980s and early 1990s it was one of several Canadian companies in the NRC's Athena project, which studied speakers that adapt to the room. NRC scientists Peter Schuck and Marc Bonneville then joined Paradigm, which says it opened its Ottawa research centre, PARC, for them in 1993. That lab went on to design Anthem's electronics and its room-correction system. A 1990s Paradigm Titan is now part of the collection at Ingenium, Canada's science and technology museums, here in Ottawa.
Growth. Paradigm moved into the US market in the mid-1980s, added its first in-wall speaker in 1989 and launched the Monitor series in 1990. The Titan was a hit by 1991, the Atom followed in 1992, and the PS-1000 of 1994 was its first powered subwoofer. By 1992 Stereophile counted about 256 Paradigm dealers in the US.
Reference and the new factory. The Reference line, with its Studio speakers, arrived in the mid-1990s; Stereophile reviewed the Studio/100 in 1997. In 1998 Paradigm bought Sonic Frontiers, which brought Anthem into the family. In 2001 it moved into a new Mississauga factory with what it calls the hemisphere's largest privately owned anechoic chamber, at 33,000 cubic feet. A tour that year found the plant finishing 1,500 speakers a day, with driver frames cast, cones moulded and voice coils wound in-house.
Changes of hands. Co-founder Jerry VanderMarel left in 2005, when the private-equity firm ShoreView Industries became Scott Bagby's partner; together they went on to buy MartinLogan. Compact lines such as Cinema were built overseas from the start, and from the 2010s Monitor was too, while Prestige (2014), Persona (2016) and Founder (2021) have been built in Mississauga. In 2019 Scott Bagby and his son John bought Paradigm, Anthem and MartinLogan back from ShoreView, and their company, PML Sound International, added GoldenEar at the start of 2025.
Which Paradigm is which?
Performance Series (1990s to 2006): the entry line, with the Atom, Titan, Focus, Esprit and Phantom. A 1990s Titan's label reads "Performance Series … Made in Canada". At the end of 2006 the Atom and Titan moved into the Monitor line.
Monitor (from 1990): the step-up line, and from 2006 the entry line; today's version is Monitor SE. In the early 1990s it was topped by the Studio Monitor tower, in real wood veneer.
Reference Studio (mid-1990s to mid-2010s): the Studio/20, 40, 60, 80 and 100 plus matching centres, with die-cast aluminium driver chassis and aluminium-dome tweeters, made in numbered versions. From the v.2 generation of 1999 the sides came in laminate or, for a little more, real wood veneer. A favourite here is the Studio/80 v.2, a slim 2.5-way tower from about 1999 to 2003; the pairs with real wood sides are the ones to find.
Signature (2004–2016): the flagship of its day, part of the Reference family.
Cinema (from about 2000): compact home-theatre satellites and centres in polymer cabinets, designed to be used with a subwoofer, later sold as Cinema CT packages.
Millenia (from 2006): slim aluminium-cabinet speakers made to suit flat-panel TVs. The little MilleniaOne was Sound & Vision's 2011 Product of the Year.
Stylus (from 1999): weatherproof outdoor speakers.
Today's lines: Monitor SE, Premier (2018), Prestige (2014), Founder (2021) and the Persona flagship (2016).
Subwoofers: from the PS-1000 (1994) and Servo-15 (1996) through the PS and PW series to Defiance (2018).
Buying used Paradigm: what to check
The rear label. Where a Paradigm was built depends on the line and the year, and some names were reused (the Atom and Titan moved from Performance to Monitor, and the Esprit name appeared in more than one line), so the label tells you exactly what you have.
Veneer or laminate. On Reference Studio models from 1999 on, real wood veneer sides were an option; look closely at the sides before you assume.
Woofer surrounds. Owners report foam surrounds needing replacement on some older models, including early Titans. Press gently around each one.
Powered subwoofers. The amplifier is the part most likely to have aged. Run a used sub at volume and check that auto-on still works.
Everything we list is inspected, tested and photographed here first, and comes with our warranty.
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