Sansui A-1100P Vintage Integrated Amplifier – 100 WPC, Japan

$395.00

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Description

Sansui A-1100P Integrated Amp, 100 WPC, Phono, Made in Japan

The Sansui A-1100P is a robust, 100-watt-per-channel integrated amplifier built in Japan during Sansui’s mid-1980s period of refined solid-state design. It delivers strong, confident drive for a wide range of speakers and listening rooms, combining high power output with low distortion and a neutral sonic character that lets your source material and speakers determine the sound. The built-in moving-magnet phono stage makes it an ideal centerpiece for vinyl-based systems, while multiple line-level inputs accommodate digital sources, tape decks, and tuners. This unit has undergone our Level One service and testing which should ensure many more years of reliable performance ahead. Cosmetic condition is very good, with a clean faceplate, intact controls, and only light signs of careful use.

The A-1100P uses DC servo amplifier circuitry, a design philosophy that eliminates coupling capacitors in the signal path for direct-coupled operation from input to output. This approach reduces phase shift, improves transient response, and ensures flat frequency response down to DC (below 1Hz), so low bass notes are reproduced with exceptional control and accuracy. The servo circuit actively corrects any DC offset at the output, protecting speakers while maintaining sonic purity. Frequency response extends from 5Hz to 60kHz, ensuring ruler-flat performance across the audible band with headroom to spare. Total harmonic distortion is specified at 0.05% at rated output, low enough that coloration from the amplifier itself is effectively inaudible—what you hear is the character of your source and speakers, not the electronics.

The phono stage is a proper discrete-component MM design with 2.5mV sensitivity and a 72dB signal-to-noise ratio, providing quiet, dynamic vinyl playback without needing an external preamp. RIAA equalization is accurate, and the stage has enough headroom to handle hot-cut records without compression. Line-level inputs (CD, tuner, AUX, tape) offer 150mV sensitivity and an excellent 95dB signal-to-noise ratio, so modern digital sources remain quiet and resolving even at high volumes. The 130mV line output allows tape recording or feeding a secondary amplifier or powered subwoofer if desired.

The front panel includes a multi-position input selector, dual tone controls (bass and treble), and a loudness switch for low-level listening that compensates for reduced ear sensitivity at lower volumes. Speaker outputs are rated for 8-ohm minimum impedance, and the amplifier is stable driving most bookshelf and floorstanding speakers without issue. The 100W per channel rating is conservative, and real-world performance with music is dynamic and composed, with enough reserve to handle transient peaks cleanly. Build quality reflects Sansui’s Japanese manufacturing standards of the era: solid construction, reliable internal components, and a layout designed for long-term serviceability.

Key Features & Specifications

Power output: 100 watts per channel into 8Ω (stereo), conservatively rated

DC servo amplifier design (direct-coupled, no coupling capacitors in signal path)

Frequency response: 5Hz to 60kHz (ruler-flat across audible spectrum)

Total harmonic distortion: 0.05% at rated output

Phono (MM) input: 2.5mV sensitivity, 72dB signal-to-noise ratio, accurate RIAA equalization

Line input: 150mV sensitivity, 95dB signal-to-noise ratio (CD, tuner, AUX, tape)

Line output: 130mV (for tape recording or secondary amplification)

Speaker load impedance: 8Ω minimum (stable with most bookshelf and floorstanding speakers)

Bass and treble tone controls with defeat switch

Loudness compensation for low-level listening

Multiple line-level inputs for CD, streamer, tuner, tape deck

Made in Japan (1980s Sansui quality construction and reliability)

Very good cosmetic condition: clean faceplate, intact controls, light signs of careful use

Has undergone our Level One service and testing which should ensure many more years of reliable performance ahead

Dimensions & Weight

Dimensions (Width × Height × Depth): 430 × 112 × 250 mm (16.9 × 4.4 × 9.8 inches)
Weight: 7 kg (15.4 lbs)

At 7 kilograms, the A-1100P reflects solid internal construction with a substantial power supply and discrete amplifier circuitry—compact enough for a bookshelf or cabinet, yet robust enough to drive demanding speaker loads with authority.

The Sansui A-1100P is a powerful, versatile integrated amplifier that pairs genuine 100W-per-channel muscle with a high-quality onboard phono stage and DC servo amplifier topology for exceptional bass control and transient accuracy. Its neutral tonal balance, low distortion, and wide frequency response make it an ideal centerpiece for a serious yet affordable two-channel system, equally at home with vinyl, digital sources, and demanding loudspeakers. Made in Japan during Sansui’s peak era of quality construction, it represents excellent value for those seeking honest amplification with proven reliability.

Backed by Radique Audio’s 90-day warranty and our perpetual trade-back policy, you can purchase with confidence.

Asking $395.

Additional information
Weight17.4 lbs
Dimensions13.8 × 20.9 × 8.4 in
About brand
Sansui at Radique
We service Sansui, too. Bring us your own Sansui receivers, amplifiers, tuners, cassette decks and turntables for repair, servicing or restoration (solid-state gear; we don't take in tube equipment), with a 90-day warranty on the work. See our Audio Service page

Sansui was founded in Tokyo by Kosaku Kikuchi, who began making transformers in 1944 and incorporated Sansui Electric in 1947. We carry Sansui stereo receivers, integrated amplifiers, tuners, equalizers and cassette decks. We've had more than 40 Sansui listings so far. Every used Sansui here is inspected, tested and serviced as required, then photographed in-house and covered by our Bumper-to-Bumper Warranty and Perpetual Trade-Back Program. Don't see the model you want? Tell us on First Dibs and we'll email you when one arrives.

Sansui models we've sold more than once include the RG-700 and SE-1000 equalizers.

The Sansui story, 1947 to today

Kosaku Kikuchi started making transformers in Tokyo in 1944 and founded Sansui Electric in 1947. Amplifier kits and finished amplifiers followed from 1954, tube receivers from 1956, and the AU-111 tube integrated amplifier in 1965.

The golden age. Solid-state amplifiers such as the AU-555 arrived in the late 1960s. In the 1970s Sansui made QS four-channel receivers and big stereo receivers such as the 9090DB, and from 1978 DC amplifiers such as the AU-717 and AU-919 and the G-series receivers.

New owners. In 1989 Polly Peck of London took control of Sansui. In the 1990s a controlling interest passed to the Semi-Tech group of James Ting, a Canadian businessman whose electronics company was based in Markham, Ontario, and Grande Holdings of Hong Kong took over in 1999.

After the original company. Production wound down in the early 2000s, and Sansui filed for court rehabilitation in 2012 and went bankrupt in 2014. Products sold under the Sansui name since then are made by licensees in different countries, not by the original company.

Which Sansui is which?

Tube era (1950s to 1960s): kits and amplifiers such as the AU-111 of 1965.

1970s receivers: such as the 8080 and 9090DB, the 1976 "No. 1 Line" from the 221 to the 881, and the QRX four-channel receivers.

Integrated amplifiers: the AU-555 of the late 1960s, the AU-x07 and AU-x17 families from 1978 such as the AU-717, the AU-919, budget A-series models, and the AU-α907i of 1987.

G-series receivers (1978 to 1980): from the G-2000 to the G-33000, with quartz-locked digital tuning on the later G-x700 models.

Tuners and equalizers: such as the TU-9900 and T-510 tuners, the SE-9 and SE-1000 equalizers, and the RG-700 and RG-707.

Cassette decks: SC, D and D-X series decks.

Buying used Sansui: what to check

Fuse resistors. A technician who restored a 9090DB for Sound & Vision called replacing the fusible resistors on the driver board the number one job, and restorers find fuse resistors gone high in value on other models.

Capacitors and glue. TONE Audio says AU-717s will probably need most of their capacitors replaced, and that the glue used at the factory has become corrosive and should be removed. Ask for proof of any recap.

No relay click. If the protection relay doesn't click in, an output may have DC on it, which often means failed output transistors.

Controls and lamps. Scratchy volume and balance controls need cleaning, and dial lamps are often converted to LED.

Later products. Goods sold as Sansui since the early 2000s were made by licensees, so don't expect vintage Sansui engineering in them.

Everything we list is inspected, tested and serviced as required here, and comes with our warranty.