Technics SU-G90 Integrated Amplifier – 130 WPC, Made in Japan

$345.00

130 watts a channel into 8 ohms with both channels driven at 0.05% distortion, six analog inputs, an MM phono stage, and a separable pre-out/main-in loop for an active crossover or external amp. This 1991 design also carries a Dolby Pro Logic decoder with its own 15-watt rear amplifier section, so it can run a compact surround setup on its own. Made in Japan; good cosmetic condition.

1 in stock

Description

Monster Technics SU-G90 130 WPC Integrated Amp – Made in Japan

Made in Japan, the Technics SU-G90 is a monster of an integrated amplifier from Technics’ early-1990s lineup — delivering a genuine 130 watts per channel into 8 ohms, with the kind of substantial power supply, hefty build, and ambitious specifications that have kept these amps in steady service for more than three decades.

Released in 1991, the SU-G90 sits squarely in what has become known as the “new vintage” era of Japanese hi-fi — a period when Technics was still building amplifiers with serious power supplies, heavy output stages, and genuinely ambitious specifications. The amp delivers 130 watts per channel into 8 ohms with both channels driven and just 0.05% total harmonic distortion, with a robust dynamic headroom figure of 1.1 dB that translates to effortless handling of musical peaks.

A useful secondary feature sets the SU-G90 apart from most pure-stereo integrated amplifiers of the era: a built-in Dolby Pro Logic surround decoder with a dedicated 15-watts-per-channel rear amplifier section, allowing the amp to drive a compact surround setup directly should you wish. In stereo, a full complement of six analog inputs — including a moving magnet phono stage — plus multiple tape loops gives the SU-G90 exceptional source flexibility. The A/B speaker selector allows two pairs of speakers to be run.

The feature that makes the SU-G90 more than a stereo integrated is on the back panel: a true pre-out / main-in loop, fitted with its jumpers (see the rear-panel photo). Remove the jumpers and the preamp and power amp sections separate, so the SU-G90 can serve as a preamp for an external power amp, as a power amp on its own, or with an active crossover, subwoofer crossover or room-correction processor between the two stages, after the volume control. The tape loops cannot do that job: tape out is taken before the volume control, so anything inserted there runs at a fixed level.

The unit is in good cosmetic condition and has been thoroughly inspected and tested to confirm full functionality. The clean black faceplate presents well and pairs naturally with other early-1990s Japanese components.

Specifications:

Design: Stereo integrated amplifier with Dolby Pro Logic surround decoder

Power output (stereo): 130 W per channel into 8 ohms, both channels driven, 20 Hz – 20 kHz @ 0.05% THD

Power output (rear surround amplifier): 15 W x 2 into 8 ohms @ 0.8% THD

Dynamic headroom: 1.1 dB (8 ohms)

Frequency response: 10 Hz – 80 kHz

Total harmonic distortion: 0.05% (rated); 0.03% at half power, 1 kHz

Damping factor: 30 (8 ohms)

Input sensitivity: 2.5 mV (MM phono), 150 mV (line)

Phono input impedance: 47 kΩ

Signal-to-noise ratio: 73 dB (MM phono), 94 dB (line)

Speaker load impedance: 8 ohms per speaker (A, B, or A+B; the rear panel reads “8Ω / each speaker”)

Speaker terminals: spring clips (bare wire or pin-type connectors; banana plugs do not fit)

Inputs: Phono (MM), Tuner, CD, Tape, VCR/TV, DAT/VCR, EQ

Pre-out / main-in loop: Yes, with removable jumpers (active crossover, processor, or external power amp)

Tape monitor loop: Yes (suitable for outboard EQ or signal processors)

Speaker selector: A / B / A+B

Surround decoding: Dolby Pro Logic

Power consumption: 355 W

Country of manufacture: Japan

Dimensions (W x H x D): 16.9 x 5.1 x 12.2 inches (430 x 130.5 x 310 mm)
Weight: 19.4 lbs (8.8 kg)

A powerful, well-specified, Made-in-Japan Technics integrated amplifier with serious output, flexible input options, and a bonus built-in Pro Logic surround decoder for added versatility — a monster of an amp ready to anchor a capable two-channel or compact home theatre setup.

Backed by Radique Audio’s Bumper-to-Bumper Warranty and our Perpetual Trade-Back Program, you can purchase with confidence.

$345.00
Additional information
Weight22 lbs
Dimensions16.2 × 21 × 9.1 in
About brand
Technics at Radique
We service Technics, too. Bring us your own Technics turntables, receivers, amplifiers, cassette decks and CD players for repair, servicing or restoration (not reel-to-reel decks), with a 90-day warranty on the work. See our Audio Service page

Technics is the premium audio name Matsushita (now Panasonic) created in Osaka in 1965, and its direct-drive turntables, above all the SL-1200, made it famous. We carry Technics turntables, stereo receivers, amplifiers, CD players, cassette decks and equalizers. We've had more than 160 Technics listings so far, covering more than 115 different models. Every used Technics here is inspected, tested and serviced as required, then photographed in-house and covered by our Bumper-to-Bumper Warranty and Perpetual Trade-Back Program. Turntables don't travel well by courier, so ours are pickup in Kanata or Curbside Delivery only. Don't see the model you want? Tell us on First Dibs and we'll email you when one arrives.

Our best-selling Technics models so far are two turntables, the SL-3200 and the SL-220.

The Technics story, 1965 to today

Matsushita Electric of Osaka created Technics in 1965 as its premium audio brand. The first product to carry the name was the Technics 1 bookshelf speaker.

Direct drive. The SP-10 of 1969 or 1970 (sources differ), built around a motor invented by Shuichi Obata, is what Technics calls the world's first direct-drive turntable. The SL-1200 followed in 1972 as a home hi-fi turntable, and the SL-1200MK2 of 1979 was redesigned with DJs in mind. About 3.5 million SL-1200s were made.

CD and the 1980s. The SL-P10 of 1982 was Technics' first CD player.

Pause and return. Panasonic ended SL-1200 production in 2010 and brought Technics back in 2014. A new SL-1200G arrived in 2016 and the SL-1200MK7 DJ model in 2019, and turntable production moved from Japan to Malaysia in 2021.

Which Technics is which?

SL-1200 and SL-1210: the MK2 of 1979 added quartz-locked speed control and a slider pitch control. The 1210 is the black version, often with dual-voltage switching.

SL-B, SL-D and SL-Q turntables: in the early-1980s range, Q models were fully automatic and quartz-locked, D models were not, and the SL-B models were belt-drive budget decks.

SL-3200, SL-220 and other home turntables: the Technics decks we sell most often.

SA receivers and SU amplifiers: such as the SA-1000 of 1978 to 1979. The SA-202 is one of the Technics receivers we've sold most.

RS tape decks, SL-P CD players and SB speakers: from the RS-1500U open-reel deck of 1976 to the SB-7000 linear-phase speakers of 1975.

Buying used Technics: what to check

Speed and pitch. On an SL-1200 or SL-1210, use the strobe to confirm the dots hold steady, and sweep the pitch fader at 33 and 45 rpm.

Tonearm. It should move smoothly with no play in the bearings, the headshell should clamp firmly, and the anti-skate, arm lock and cue lift should all work.

Connections. Loose leads cause crackling. Check the ground wire and both channels.

Everything we list is inspected, tested and serviced as required here, and comes with our warranty.