Paradigm Studio CC v2 Center Channel – 32 lb, Made in Canada
$345.00
Thirty-two pounds of Paradigm Reference center channel, in original fabric-panel form.
✔️ Condition: Good — a couple of small marks on the top surface; fabric side panels a little worn
✔️ Covered by Radique Warranty
✔️ Includes Perpetual Trade-Back Program eligibility
✔️ Expertly packed for safe shipping
1 in stock
Thirty-two pounds of Paradigm Reference center channel, in original fabric-panel form.
What it is
The Studio CC v2 comes from Paradigm’s Reference line in the late nineties, and the first thing anyone notices about it is the weight. Thirty-two pounds is not what a center channel normally weighs. That mass is cabinet bracing and driver hardware, and it is the reason this one behaves like a proper loudspeaker rather than like the afterthought most centers turn out to be.
It will more than hold its own against the vast majority of quality mains — which is the real test of a center, because a center that cannot keep up with the speakers on either side of it announces itself every time a voice pans across the front stage. This one delivers crystal-clear movie dialogue and audiophile-grade musicality with equal aplomb.
The design
Three drivers in a two-way arrangement: two 170 mm mica-polymer cones flanking a 25 mm pure-aluminum dome, with the crossover handing over at 1.5 kHz on a fourth-order electro-acoustic slope.
The hardware is the good Paradigm engineering of the period. The tweeter is a PAL pure-aluminum dome on a diecast heatsink chassis, ferrofluid cooled. The mid-bass drivers use MLP mica-polymer cones on AVS diecast heatsink chassis with 25 mm voice coils — diecast rather than stamped, which is what keeps a driver’s geometry honest when it is working hard.
It is video shielded, so it will sit on or beside a television without complaint, and the terminals are dual pairs of five-way binding posts, so bi-wiring is there if you want it.
At 90 dB room sensitivity it is easy to drive, with a usable range from 15 watts to 175.
Condition
Good, and honestly described.
There are a couple of small marks on the top surface. The fabric side panels look a little worn — not torn or damaged, but showing their age in the way cloth does after twenty-odd years.
Neither affects how it works or how it sounds. It still presents well, and it is still a beast of a center channel.
A serious center channel with some honest wear, at a price that reflects it.
Available for pickup in Kanata, or shipped across Canada and internationally — we have sent equipment to fifteen countries in the past year, each piece packed in-house in 275 lb test double-wall boxes. Live shipping rates for your address are calculated at checkout. Backed by Radique Audio’s Bumper-to-Bumper Warranty and our Perpetual Trade-Back Program. Available for audition by appointment in Kanata.
Paradigm Studio CC v2 Specifications
- Design: 3-driver, 2-way, video-shielded center channel
- Crossover: 4th-order electro-acoustic at 1.5 kHz
- High-frequency driver: 25 mm (1 in) PAL pure-aluminum dome, diecast heatsink chassis, ferrofluid cooled
- Mid/bass drivers: two 170 mm (6-3/4 in) MLP mica-polymer cones, AVS diecast heatsink chassis, 25 mm voice coil
- Frequency response on axis: +/-2 dB from 70 Hz to 22 kHz
- Frequency response 30 degrees off axis: +/-2 dB from 70 Hz to 20 kHz
- Low frequency extension: 42 Hz (DIN)
- Sensitivity: 90 dB room / 87 dB anechoic
- Suitable amplifier power range: 15 to 175 watts
- Maximum input power: 130 watts
- Impedance: compatible with 8 ohms
- Terminals: dual pairs of 5-way binding posts, bi-wireable
- Built in Canada
- Dimensions: (Height x Width x Depth) 8.1 x 22 x 11.6 inches (21 x 56 x 30 cm)
- Weight: 32 lbs (15 kg)
🔌 Speaker Cable, Bi-Wiring and Connectors
The dual posts here take bare wire, spades, pins or bananas, and they mean you can bi-wire or bi-amp if you ever want to. Our bi-wire speaker bridges replace the factory straps with something considerably better made. We hand-build speaker cable here in any length you need on our Custom Speaker Cable Builder, terminated with our own gold-plated banana plugs or spade connectors. 👉
✅ Buy With Confidence — The Radique Promise
Backed by Radique Audio’s Bumper-to-Bumper Warranty and our Perpetual Trade-Back Program. When you’re ready to move on, we’ll take it back. That’s the Radique difference.
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📞 Questions? Use the Ask a Question button above, or call us at 613-416-9995.
| Weight | 34 lbs |
|---|---|
| Dimensions | 15.6 × 26 × 12.1 in |
| Impedance | 8 Ω |
| Power Handling | 101–200 W |
| Sensitivity | 86–89 dB |
| Woofer Size | 6–7″ |
Paradigm has designed loudspeakers in the Toronto area since 1982, with engineering roots that run through Ottawa: it took part in the National Research Council's loudspeaker research here, and its research lab has been in Ottawa since 1993. We've had more than 600 Paradigm listings so far, covering 193 different models, more than any other brand. Every used Paradigm here is inspected, tested and photographed in-house, then covered by our Bumper-to-Bumper Warranty and Perpetual Trade-Back Program. Don't see the model you want? Tell us on First Dibs and we'll email you when one arrives.
The Paradigm story, 1982 to today
Jerry VanderMarel and Scott Bagby founded Paradigm in 1982 in the Toronto area, VanderMarel running sales and marketing and Bagby design and manufacturing. Their first speakers made their debut at a Toronto audio show that year, and Paradigm says 12 dealers signed on.
The Ottawa years. In the 1980s almost every major Canadian speaker maker measured its designs in the National Research Council's anechoic chamber here in Ottawa, and Paradigm took part in the research Dr. Floyd Toole led at the NRC, which paired chamber measurements with blind listening tests. Paradigm built its own anechoic chamber in 1988, sparing its engineers the five-hour drive to Ottawa. In the late 1980s and early 1990s it was one of several Canadian companies in the NRC's Athena project, which studied speakers that adapt to the room. NRC scientists Peter Schuck and Marc Bonneville then joined Paradigm, which says it opened its Ottawa research centre, PARC, for them in 1993. That lab went on to design Anthem's electronics and its room-correction system. A 1990s Paradigm Titan is now part of the collection at Ingenium, Canada's science and technology museums, here in Ottawa.
Growth. Paradigm moved into the US market in the mid-1980s, added its first in-wall speaker in 1989 and launched the Monitor series in 1990. The Titan was a hit by 1991, the Atom followed in 1992, and the PS-1000 of 1994 was its first powered subwoofer. By 1992 Stereophile counted about 256 Paradigm dealers in the US.
Reference and the new factory. The Reference line, with its Studio speakers, arrived in the mid-1990s; Stereophile reviewed the Studio/100 in 1997. In 1998 Paradigm bought Sonic Frontiers, which brought Anthem into the family. In 2001 it moved into a new Mississauga factory with what it calls the hemisphere's largest privately owned anechoic chamber, at 33,000 cubic feet. A tour that year found the plant finishing 1,500 speakers a day, with driver frames cast, cones moulded and voice coils wound in-house.
Changes of hands. Co-founder Jerry VanderMarel left in 2005, when the private-equity firm ShoreView Industries became Scott Bagby's partner; together they went on to buy MartinLogan. Compact lines such as Cinema were built overseas from the start, and from the 2010s Monitor was too, while Prestige (2014), Persona (2016) and Founder (2021) have been built in Mississauga. In 2019 Scott Bagby and his son John bought Paradigm, Anthem and MartinLogan back from ShoreView, and their company, PML Sound International, added GoldenEar at the start of 2025.
Which Paradigm is which?
Performance Series (1990s to 2006): the entry line, with the Atom, Titan, Focus, Esprit and Phantom. A 1990s Titan's label reads "Performance Series … Made in Canada". At the end of 2006 the Atom and Titan moved into the Monitor line.
Monitor (from 1990): the step-up line, and from 2006 the entry line; today's version is Monitor SE. In the early 1990s it was topped by the Studio Monitor tower, in real wood veneer.
Reference Studio (mid-1990s to mid-2010s): the Studio/20, 40, 60, 80 and 100 plus matching centres, with die-cast aluminium driver chassis and aluminium-dome tweeters, made in numbered versions. From the v.2 generation of 1999 the sides came in laminate or, for a little more, real wood veneer. A favourite here is the Studio/80 v.2, a slim 2.5-way tower from about 1999 to 2003; the pairs with real wood sides are the ones to find.
Signature (2004–2016): the flagship of its day, part of the Reference family.
Cinema (from about 2000): compact home-theatre satellites and centres in polymer cabinets, designed to be used with a subwoofer, later sold as Cinema CT packages.
Millenia (from 2006): slim aluminium-cabinet speakers made to suit flat-panel TVs. The little MilleniaOne was Sound & Vision's 2011 Product of the Year.
Stylus (from 1999): weatherproof outdoor speakers.
Today's lines: Monitor SE, Premier (2018), Prestige (2014), Founder (2021) and the Persona flagship (2016).
Subwoofers: from the PS-1000 (1994) and Servo-15 (1996) through the PS and PW series to Defiance (2018).
Buying used Paradigm: what to check
The rear label. Where a Paradigm was built depends on the line and the year, and some names were reused (the Atom and Titan moved from Performance to Monitor, and the Esprit name appeared in more than one line), so the label tells you exactly what you have.
Veneer or laminate. On Reference Studio models from 1999 on, real wood veneer sides were an option; look closely at the sides before you assume.
Woofer surrounds. Owners report foam surrounds needing replacement on some older models, including early Titans. Press gently around each one.
Powered subwoofers. The amplifier is the part most likely to have aged. Run a used sub at volume and check that auto-on still works.
Everything we list is inspected, tested and photographed here first, and comes with our warranty.
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